Qwaya

6/13

  7/17

JUNE
    /JULY

Dates :                                   June 13- July 17, 2020

โ€‹

Exhibition Venue :         2GIL29 GALLERY

โ€‹

Opening Reception :    We have decided not to hold a reception for our upcoming exhibition, Qwayaโ€™s Ordinary People, in accordance with the government guidance of โ€˜social distancingโ€™ due to Covid-19. And we will be going to thoroughly abide by quarantine measures to secure the safety of visitors to our gallery. We would like to ask all visitors to make sure that you must wear a mask, and leave your personal contact at an information desk on the first floor. We would like to have your cooperation for preventing Covid-19 from spreading and prevention of it. Thank you.

โ€‹

Opening Hours :  10 am - 7 pm Tuesdays to Saturdays

                                       แ„‹แ…ตแ†ฏแ„‹แ…ญแ„‹แ…ตแ†ฏ, แ„‹แ…ฏแ†ฏแ„‹แ…ญแ„‹แ…ตแ†ฏ แ„’แ…ฒแ„€แ…ชแ†ซ (closed on Mondays & Sundays) .

                                       แ„†แ…ฎแ„…แ…ญแ„€แ…ชแ†ซแ„…แ…กแ†ท  Admission: Free

โ€‹

Qwaya

 

Ordinary people

2GIL29GALLERY is going to present artist Qwaya(B.1991)โ€™s 15th solo exhibition running from 13 June to 17 July, 2020. We hope that we can have an opportunity to rethink of what is truly valuable to our lives through this exhibition, while we have been going through Covid-19 that has been depriving us of our daily lives, which has changed our perspective on an ordinary life and relationship. It is undeniable that we are having time of realizing how precious โ€˜a daily lifeโ€™, โ€˜ordinaryโ€™, and โ€˜normalityโ€™ is, which we took for granted before the Covid-19. At this moment, we are going to have a solo exhibition of artist Qwaya, who has been calmly delivering a series of ordinary records containing a daily life of ordinary people.

 

The artist Qwaya draws every day as if he writes a diary every single day. Fragmented information recorded in his inner side recovers its objecthood and is represented as new figuration through presentative(่กจ่ฑก)image captured by intuition. He mentioned that โ€œMy work is a process that dynamic flow is created. One is static and inactive, but when it is combined into two and three, and then that is when the dynamic flow is created. It is same as the process that a myriad of fragments come into one image.โ€ It is same as the process that a myriad of fragments come into one image.โ€ And he also said that โ€œIt is meaningful at some level that we look at gathered pieces by taking a step backโ€. He has received a great response on his unique world of art with untamed, unconstrained, and raw style of his own while having been working as an artist. And last year, he drew a lot of popularity and the publicโ€™s great affection by participating in various commercial projects including a design work of album cover jacket of Jannabi, which is an indie band in Korea, and etc. Currently, He has been coming to the fore considered as one of the most emerging young artists while bringing Korean art scene in the recession to life by making an outstanding record of selling out all his works in his previous solo show last year. In this forthcoming invitational exhibition at 2GIL29GALLERY, he is going to display his more developed world of art with his new works of 30pieces.

 

Artist Qwayaโ€™s work is evocative of bluish moonlight that saturates a silent night. His work looks alike the moon not the scorching sun in the daytime that seems to be readily ignited in any minute. That is because his work contains intimate moments of him that were collected from a time of his contemplation not from a moment of momentary feeling that is given off and soon dissipates. His work includes silence and solitude of the night as same as his name โ€˜Qwayaโ€™ that is taken from โ€˜๊ณผ์•ผ(้Žๅคœ)โ€™, which means a time of passing by the night and acronym โ€˜Quiet, Questโ€™, which means a quiet quest. He explains his works as above.

 

His works will be featured in the exhibition at 2GIL29GALLERY are reminiscent of a phrase of Paul Klee about spirit of art. โ€œArt does not reproduce the visible but makes visible.โ€ Qwaya disposes intense colors that trigger a microscopic perception, and it leads to a sensory world far from the reality. And viewersโ€™ involuntary memories are summoned up through subjects that have a dreamy look in their eyes. Thus, his work is like comprised of codes filled with numerous symbols. His sensitive symbols stimulate thoughts of viewers. And that is a process of โ€œNew structure of timeโ€ that Gilles Deleuze mentioned, and it can be a driving force for us to go back in lost time. In that sense, he lets us think about an essential meaning of art. Maybe, a task of art is to lead us to world of contemplation that we have lost and to extended thoughts by disconnecting chain of perception that we gain from limited experiences while bringing our repetitive daily routine to life. But art isnโ€™t revolution that breaks the rules of the world? We can experience an extended world owing to art. In particular, his works of new series that will be featured in this upcoming exhibition let viewers get to world of contemplation where it endlessly proliferates and it is recreated, and it also opens perceptual world. And that turns an ordinary scene of daily life into an individual field of creation. That is a power that artist Qwaya has, and it might be a right direction that contemporary art should be heading towards. As it is inevitable that a place where is the brightest is also the place where is the darkest, artist Qwaya has been growing while going through numerous nights for brilliant creation and keeping all the time of truth he has passed in his name, Qwaya. He continues his work bringing us hope while holding up the time in the depth of night, while we might have lost valuable things.

 

 

Bio.

under the name of Qwaya that means a contemplation in the night and silence. After he graduated from Sangmyung University with his Fashion and design degree, and then in a short span of time, he has received good responses with unique world of his own while having engaged in various exhibitions of solo shows and curatorial exhibitions. His works serve as an evocation that leads us to a hidden gem of our daily lives with his innermost records and intuitive intense colors. And he has been presenting his artistic outcomes while having collaborative projects with conglomerates and doing numbers of album art works. Qwaya who has been showing a wide variety of spectrum of his activity straddling a borderline between commercial and fine art has been coming to the fore being considered as one of the most emerging artists in the Korean art scene, and those results have been naturally coming down to large attention and popularity by the public.

 

 

โ€‹

Qwaya ์–ด๋”˜๊ฐ€ ํ‘ธ๋ฅธ ๋น›์„ ํ•œ ๋‚จ์ž์˜ ์ดˆ์ƒ  A Portrait of Man with a Hint of Bluish Color of His Face 2018

์ฝฐ์•ผ 

 

Ordinary people

 

โ€‹

โ€‹

 

์ด๊ธธ์ด๊ตฌ ๊ฐค๋Ÿฌ๋ฆฌ๋Š” ์˜ค๋Š” 6 ์›” 13์ผ ๋ถ€ํ„ฐ 7 ์›” 17 ์ผ ๊นŒ์ง€ ์•„ํ‹ฐ์ŠคํŠธ ์ฝฐ์•ผ(B.1991)์˜ ๊ฐœ์ธ์ „์„ ์„ ๋ณด์ธ๋‹ค. ์ฝ”๋กœ๋‚˜19๋กœ ์šฐ๋ฆฌ ์‚ฌํšŒ์˜ ํ‰๋ฒ”ํ•œ ์ผ์ƒ๋“ค ๊ทธ๋ฆฌ๊ณ  ๊ด€๊ณ„๋“ค์— ๋Œ€ํ•œ ์ธ์‹์˜ ํ‹€์ด ๋ฐ”๋€Œ๊ณ  ์žˆ๋Š” ๊ฐ€์šด๋ฐ, ์ง„์ • ์†Œ์ค‘ํ•œ ๊ฒƒ๋“ค์— ๋Œ€ํ•˜์—ฌ ์ƒ๊ฐํ•ด ๋ณธ๋‹ค. โ€˜์ผ์ƒโ€™, โ€˜๋ณดํ†ต์˜โ€™, โ€˜ํ‰๋ฒ”ํ•จโ€™ ์ด ๋”์šฑ ์†Œ์ค‘ํ•˜๊ฒŒ ๋‹ค๊ฐ€์˜ค๋Š” ์‹œ๊ฐ„์„ ๋ณด๋‚ด๊ณ  ์žˆ์Œ์€ ๋ถ„๋ช…ํ•œ ํ˜„์žฌ์˜ ์‚ฌ์‹ค์ด๋‹ค.  ๊ทธ๋Ÿฐ ์˜๋ฏธ์—์„œ ์ด์‹œ๊ฐ„ ์šฐ๋ฆฌ๋Š” ๋ณดํ†ต์˜ ์‚ฌ๋žŒ๋“ค์˜ ์ผ์ƒ์„ ๋‹ด๋‹ดํ•˜๊ฒŒ ๊ทธ๋ ค๋‚ด๋Š” ์ผ์ƒ์˜ ๊ธฐ๋ก๋“ค์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋Š” ์ž‘๊ฐ€ ์ฝฐ์•ผ์˜ ์ „์‹œ๋ฅผ ๋งˆ๋ จํ•œ๋‹ค.
 

์ž‘๊ฐ€๋Š” ๋งค์ผ๋งค์ผ ์ผ๊ธฐ๋ฅผ ์“ฐ๋“ฏ ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฐ๋‹ค. ๋‚ด๋ฉด์— ๊ธฐ๋ก๋œ ํŒŒํŽธํ™”๋œ ์ •๋ณด๋“ค์€ ์ง๊ด€์ด ํฌ์ฐฉํ•ด๋‚ธ ํ‘œ์ƒ(่กจ่ฑก)์  ์ด๋ฏธ์ง€๋“ค์„ ํ†ตํ•ด ๋Œ€์ƒ์„ฑ์„ ํšŒ๋ณตํ•˜๊ณ  ์ƒˆ๋กœ์šด ํ˜•์ƒ์œผ๋กœ ์ œ์‹œ๋œ๋‹ค. ๊ทธ๋Š” ๊ทธ์˜ ์ž‘์—…์„ โ€˜๋ฌด์ˆ˜ํžˆ ๋งŽ์€ ์กฐ๊ฐ๋“ค์„ ์—ฎ์œผ๋ฉด ํ•˜๋‚˜์˜ ์ด๋ฏธ์ง€๊ฐ€ ๋˜๋“ฏ์ด, ํ•˜๋‚˜๋Š” ์ •์ ์ด๊ณ  ์†Œ๊ทน์ ์ด๋‚˜ ๋‘˜์ด ๋˜๊ณ  ์…‹์ด ๋˜๋ฉด ๋™์ ์ธ ํ๋ฆ„์ด ์ƒ๊ธฐ๊ฒŒโ€™ ๋˜๋Š” ๊ณผ์ •์ด๋ผ๋ฉฐ, โ€˜ํ•œ ๋ฐœ์ง ๋–จ์–ด์ ธ ๋ชจ์ธ ์กฐ๊ฐ์„ ํ•œ ๋ˆˆ์— ๋ฐ”๋ผ๋ด๋„ ๋‚˜๋ฆ„์˜ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง„๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค.โ€™๊ณ  ๋ฐํžŒ๋ฐ” ์žˆ๋‹ค. ๊ทธ๋Š” ์˜ˆ์ˆ ๊ฐ€๋กœ์„œ ํ™œ๋ฐœํžˆ ํ™œ๋™ํ•˜๋ฉฐ ๋‹ค๋“ฌ์–ด์ง€์ง€ ์•Š์€ ๊ฑฐ์น ๊ณ  ์ž์œ ๋ถ„๋ฐฉํ•œ ํ•„์น˜๋กœ ๊ทธ๋งŒ์˜ ๋…ํŠนํ•œ ์ž‘ํ’ˆ ์„ธ๊ณ„๋ฅผ ํŽผ์ณ ํฐ ํ˜ธํ‰์„ ๋ฐ›์•˜๋‹ค. ์ง€๋‚œํ•ด์—๋Š” ์ธ๋””๋ฐด๋“œ ์ž”๋‚˜๋น„์˜ ์•จ๋ฒ” ์ปค๋ฒ„ ์žฌํ‚ท ์ž‘์—… ๋ฐ ์—ฌ๋Ÿฌ ์ปค๋จธ์…œ ํ”„๋กœ์ ํŠธ์—์„œ ์™•์„ฑํ•˜๊ฒŒ ํ™œ์•ฝํ•˜๋ฉฐ ๋”์šฑ ๋Œ€์ค‘์˜ ์‚ฌ๋ž‘์„ ๋ฐ›์•˜๋‹ค. 2019๋…„ ์ง€๋‚œ ์ „์‹œ์—๋„ ๊ฑฐ์˜ ์™„ํŒ ๋˜๋Š” ์พŒ๊ฑฐ๋ฅผ ์ด๋ฃจ๋Š” ๋“ฑ ๋ถˆํ™ฉ๊ธฐ์˜ ๋ฏธ์ˆ ์‹œ์žฅ์— ํ™œ๊ธฐ๋ฅผ ๋ถˆ์–ด ๋„ฃ์œผ๋ฉฐ ์ตœ๊ทผ ๋ฏธ์ˆ ๊ณ„์—์„œ ์ œ์ผ ์ฃผ๋ชฉ๋ฐ›๋Š” ์‹ ์ง„ ์ž‘๊ฐ€ ์ค‘ ํ•œ ๋ช…์œผ๋กœ ์†๊ผฝํžˆ๊ณ  ์žˆ๋‹ค. ๊ทธ๋Š” ์ด๋ฒˆ ์ด๊ธธ์ด๊ตฌ ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ ์‹ ์ž‘์„ ํ†ตํ•ด ๊ทธ๋งŒ์˜ ์ƒˆ๋กœ์šด ์ด์•ผ๊ธฐ๋ฅผ ์„ ์‚ฌํ•˜๋ฉฐ, ํ•œ๋‹จ๊ณ„ ์„ฑ์žฅํ•œ ์ž‘ํ’ˆ์„ธ๊ณ„๋ฅผ ์„ ๋ณด์ธ๋‹ค.  ์ฝฐ์•ผ ์ž‘๊ฐ€์˜ ์ž‘์—…์€ ์ ๋ง‰ํ•œ ๋ฐค์„ ์ ์‹œ๋Š” ํ‘ธ๋ฅธ ๋‹ฌ๋น› ๊ฐ™๋‹ค. ์ž‘๋ ฌํ•˜๋ฉฐ ๊ณง ๋ฐœํ™” ๋  ๊ฒƒ ๊ฐ™์€ ์œ„ํƒœ๋กœ์šด ํ•œ๋‚ฎ์˜ ํƒœ์–‘์ด ์•„๋‹Œ ์€์€ํžˆ ๋ฐœ๊ด‘ํ•˜๋Š” ๋‹ฌ์„ ๋‹ฎ์•˜๋‹ค. ์ด๋Š” ๊ทธ์˜ ์ž‘์—…์ด ๋ฐœ์‚ฐํ•˜๊ณ  ์†Œ๋ฉธ ๋ผ๋ฒ„๋ฆด ์ˆœ๊ฐ„์˜ ์ •๋…์„ ๋‹ด์€ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ์‚ฌ์ƒ‰์˜ ์‹œ๊ฐ„ ์†์—์„œ ์ฑ„์ง‘๋œ ์ž‘๊ฐ€์˜ ๋‚ด๋ฐ€ํ•œ ์ด์•ผ๊ธฐ๋ฅผ ๋‹ด์•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ฐค์„ ์ง€๋‚˜๋Š” ์‹œ๊ฐ„, โ€˜๊ณผ์•ผ(้Žๅคœ)โ€™์™€ ์กฐ์šฉํ•œ ํƒ์ƒ‰ โ€˜Quiet, Questโ€™์˜ ๋จธ๋ฆฌ๊ธ€์ž Q์—์„œ ์–ป์–ด์ง„ โ€˜์ฝฐ์•ผโ€™๋ผ๋Š” ์ด๋ฆ„์ฒ˜๋Ÿผ ๊ทธ์˜ ์ž‘์—…์€ ์นจ๋ฌต๊ณผ ๊ณ ๋…์˜ ๋ฐค์ด ๋‹ด๊ฒจ ์žˆ๋‹ค. ๊ทธ๋Š” ๋ณธ์ธ์˜ ์ž‘์—…์— ๋Œ€ํ•ด ์ด๋ ‡๊ฒŒ ์„ค๋ช…ํ•œ๋‹ค.
 

์ด๋ฒˆ ์ด๊ธธ์ด๊ตฌ ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ์˜ ๊ทธ์˜ ์ž‘์—…๋“ค์€ ํŒŒ์šธ ํด๋ ˆ๊ฐ€ ์–ธ๊ธ‰ํ–ˆ๋˜ ์˜ˆ์ˆ ์˜ ์ •์‹ ์— ๋Œ€ํ•œ ๊ตฌ์ ˆ์„ ๋– ์˜ฌ๋ฆฌ๊ฒŒ ํ•œ๋‹ค. โ€œ์˜ˆ์ˆ ์€ ๋ณด์ด๋Š” ๊ฒƒ์„ ์žฌํ˜„ํ•˜๋Š”๊ฒŒ ์•„๋‹ˆ๋ผ ๋ณด์ด์ง€ ์•Š๋Š” ๊ฒƒ์„ ๋ณด์ด๊ฒŒ ํ•œ๋‹ค.โ€ ๊ทธ๋Š” ๋ฏธ์‹œ ์ง€๊ฐ์  ์‹ ํ˜ธ๊ฐ€ ๋˜๋Š” ๊ฐ•๋ ฌํ•œ ์ƒ‰์„ ๋ฐฐ์น˜์‹œ์ผœ ํ˜„์‹ค๊ณผ ๋™๋–จ์–ด์ง„ ๊ฐ๊ฐ์˜ ์„ธ๊ณ„๋กœ ์ธ๋„ํ•˜๋ฉฐ, ํ‘œ์ •์„ ์ฝ์„ ์ˆ˜ ์—†๋Š” ๋ชฝํ™˜์ ์ธ ํ‘œ์ •์„ ๋ค ์ธ๋ฌผ๋“ค์„ ํ†ตํ•ด ๊ฐ์ƒ์ž์˜ ๋น„์ž๋ฐœ์  ๊ธฐ์–ต์„ ์†Œํ™˜ํ•œ๋‹ค. ๊ทธ๋ ‡๊ธฐ์— ๊ทธ์˜ ์ž‘์—…์€ ๋ฌด์ˆ˜ํžˆ ๋งŽ์€๊ธฐํ˜ธ๋กœ ์ด๋ฃจ์–ด์ง„ ์ฝ”๋“œํ™”๋œ ์•”ํ˜ธ์™€๋„ ํก์‚ฌํ•˜๋‹ค. ๊ทธ์˜ ๊ฐ๊ฐ์  ๊ธฐํ˜ธ๋“ค์€ ๋ณด๋Š” ์ด์˜ ์‚ฌ์œ ๋ฅผ ์ž๊ทนํ•˜๊ณ , ์ด๋Š” ๋“ค๋ขฐ์ฆˆ๊ฐ€ ์–ธ๊ธ‰ํ•œ โ€œ์‹œ๊ฐ„์˜ ์ƒˆ๋กœ์šด ๊ตฌ์กฐโ€๋ฅผ ๋ณด์—ฌ์ฃผ๋Š” ๊ณผ์ •์ด๋ฉฐ ์žƒ์–ด๋ฒ„๋ฆฐ ์‹œ๊ฐ„์„ ๊ฑฐ์Šฌ๋Ÿฌ ์˜ค๋ฅผ ์ˆ˜ ์žˆ๋Š” ๋™๋ ฅ์ด ๋œ๋‹ค. ๊ทธ๋Ÿฐ ๋ถ€๋ถ„์—์„œ ์ฝฐ์•ผ ์ž‘๊ฐ€๋Š” ์˜ˆ์ˆ ์˜ ๊ทผ์›์ ์ธ ์˜๋ฏธ์— ๋Œ€ํ•ด์ƒ๊ฐํ•ด๋ณด๊ฒŒ ํ•œ๋‹ค. ์–ด์ฉŒ๋ฉด ์˜ˆ์ˆ ์˜ ๊ณผ์ œ๋Š” ๋ฐ˜๋ณต๋˜๋Š” ์ผ์ƒ ์†์— ์˜ˆ์ˆ ์„ ๋‹ด์•„, ์ œํ•œ์ ์ธ ๊ฒฝํ—˜์ด ์ œ๊ณตํ•˜๋Š” ์ง€๊ฐ์˜ ์‚ฌ์Šฌ์„ ๋Š๊ณ  ํ™•์žฅ๋œ ์‚ฌ์œ ์™€์žƒ์–ด๋ฒ„๋ฆฐ ์‚ฌ์ƒ‰์˜ ์„ธ๊ณ„๋กœ ์šฐ๋ฆฌ๋ฅผ ์ด๋Œ์–ด ๊ฐ€๋Š” ๊ฒƒ์ผ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์˜ˆ์ˆ ์€ ์„ธ์ƒ์˜ ํ‹€์„ ๊นจ๋ฒ„๋ฆฌ๋Š” ํ˜๋ช…์ด ์•„๋‹Œ๊ฐ€. ์šฐ๋ฆฌ๋Š” ์˜ˆ์ˆ ์„ ํ†ตํ•ด ํ™•์žฅ๋œ ์„ธ๊ณ„๋ฅผ ๊ฒฝํ—˜ํ•  ์ˆ˜ ์žˆ๋‹ค. ํŠนํžˆ ์ด๋ฒˆ ์ „์‹œ์—์„œ ์†Œ๊ฐœ๋˜๋Š” ๊ทธ์˜ ์ž‘ํ’ˆ๋“ค์€ ๊ด€๋žŒ์ž๋ฅผ ๋ฌดํ•œํ•œ ์ฆ์‹๊ณผ ์ฐฝ์กฐ๋ฅผ ๊ฑฐ๋“ญํ•˜๋Š” ์‚ฌ์ƒ‰์˜ ์„ธ๊ณ„๋กœ ์•ˆ๋‚ดํ•˜๋ฉฐ ์ƒˆ๋กœ์šด ์ง€๊ฐ ์„ธ๊ณ„๋ฅผ ์—ด์–ด์ฃผ๊ณ  ์žˆ๋‹ค. ์ด๊ฒƒ์€ ์ผ์ƒ์˜ ์žฅ๋ฉด์„ ๊ฐœ๋ณ„์  ์ฐฝ์กฐ์˜ ์žฅ์œผ๋กœ ๋ณ€๋ชจ ์‹œํ‚จ๋‹ค. ๊ทธ๊ฒƒ์ด ์ฝฐ์•ผ ์ž‘๊ฐ€์˜ ๊ทธ๋ฆผ์ด ๊ฐ€์ง€๋Š” ํž˜์ด๋ฉฐ ๋”๋ถˆ์–ด ํ˜„๋Œ€๋ฏธ์ˆ ์ด ๊ฐ€์•ผํ•  ๋ฐฉํ–ฅ์„ฑ์ด ์•„๋‹๊นŒ. ๊ฐ€์žฅ ๋ฐ์€ ๊ณณ์— ๊ฐ€์žฅ ์ง™์€ ์–ด๋‘ ์ด ๋“œ๋ฆฌ ์šธ ์ˆ˜ ๋ฐ–์— ์—†๋“ฏ์ด, ๋น›๋‚˜๋Š” ์ฐฝ์ž‘์„ ์œ„ํ•ด ์ˆ˜๋งŽ์€ ๋ฐค์„ ์ง€๋‚˜์˜ค๋ฉฐ ์„ฑ์žฅํ•œ ์˜ˆ์ˆ ๊ฐ€ ์ฝฐ์•ผ๋Š” ๊ทธ์˜ ์ด๋ฆ„ ์†์— ๊ทธ ๋ชจ๋“  ์ง„์‹ค์˜ ์‹œ๊ฐ„์„ ๋‹ด๊ณ  ์žˆ๋‹ค. ์–ด์ฉŒ๋ฉด ๊ทธ๋Š” ์†Œ์ค‘ํ•œ ๊ฒƒ๋“ค์„ ์ƒ์‹คํ•˜๊ณ  ์žˆ๋Š” ์šฐ๋ฆฌ์—๊ฒŒ ์˜ค๋Š˜๋„ ๊นŠ์€ ๋ฐค์„ ์ง€๋‚˜ ํฌ๋ง์„ ์ฃผ๋Š” ์ž‘์—…์œผ๋กœ ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฐ๋‹ค.

 

์ž‘๊ฐ€ ์†Œ๊ฐœ

๋ณธ๋ช…์€ ์„œ์„ธ์› (b. 1991). ๋ฐค์˜ ์‚ฌ์ƒ‰๊ณผ ์นจ๋ฌต์ด๋ž€ ๋œป์„ ์ง€๋‹Œ โ€˜์ฝฐ์•ผโ€™๋ผ๋Š” ์˜ˆ๋ช…์œผ๋กœ ํ™œ๋™ํ•˜๋Š” ์ž‘๊ฐ€๋Š” ์ƒ๋ช…๋Œ€ํ•™๊ต์—์„œ ํŒจ์…˜๋””์ž์ธ์„ ์ „๊ณตํ•˜๊ณ  ์กธ์—… ํ›„ ๋น ๋ฅธ ์†๋„๋กœ ํฌ๊ณ  ์ž‘์€ ๊ฐœ์ธ์ „ ๋ฐ ๊ทธ๋ฃน, ๊ธฐํš์ „์— ์ดˆ๋Œ€๋˜์–ด ๋…ํŠนํ•œ ์ž‘๊ฐ€ ์„ธ๊ณ„๋กœ ํ˜ธํ‰์„ ๋ฐ›๊ณ  ์žˆ๋‹ค. ๊ทธ์˜ ์ž‘ํ’ˆ์€ ์ง€๊ทนํžˆ ์ฃผ๊ด€์  ๊ธฐ๋ก๋“ค๊ณผ ์ง๊ฐ์ ์ธ ๊ฐ•๋ ฌํ•œ ์ƒ‰์ฑ„๋“ค๋กœ ์šฐ๋ฆฌ์˜ ์‚ถ์— ์ผ์ƒ์˜ ์†Œ์ค‘ํ•จ์„ ๋”์šฑ ํ™˜๊ธฐ์‹œํ‚จ๋‹ค. ์•จ๋ฒ” ์ปค๋ฒ„ ์•„ํŠธ ๋ฐ ์—ฌ๋Ÿฌ ์ƒ์—… ํ”„๋กœ์ ํŠธ์—์„œ ๊ธฐ์—…๊ณผ ํ˜‘์—…ํ•˜๋ฉฐ ๊ทธ๋งŒ์˜ ์˜ˆ์ˆ ์  ์„ฑ๊ณผ๋ฅผ ์ถฉ์‹คํžˆ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ๋‹ค์–‘ํ•˜๊ณ  ํ’์„ฑํ•œ ์ž‘์—…์œผ๋กœ ์˜ˆ์ˆ ์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด ์ „๋ฐฉ์œ„์ ์ธ ํ™œ๋™๋“ค์„ ๋ณด์—ฌ์ฃผ๋Š” ์ฝฐ์•ผ๋Š” ์ตœ๊ทผ ๋ฏธ์ˆ ๊ณ„์—์„œ ์ œ์ผ ์ฃผ๋ชฉ๋ฐ›๋Š” ์‹ ์ง„ ์ž‘๊ฐ€ ์ค‘ ํ•œ ๋ช…์œผ๋กœ ์†๊ผฝํžˆ๊ณ  ์žˆ์œผ๋ฉฐ ๊ทธ ๊ฒฐ๊ณผ๋Š” ๋Œ€์ค‘์˜ ํฐ ๊ด€์‹ฌ๊ณผ ์‚ฌ๋ž‘์œผ๋กœ ์ด์–ด์ง€๊ณ  ์žˆ๋‹ค.

Qwaya ๋Šฆ์€์‹œ๊ฐ„์˜ ์ž  A Sleep at Late Night, 2020

  • Instagram
  • ์œ ํŠœ๋ธŒ
  • Signature____Negative1_400x400

 2GIL29 GALLERY ์ด๊ธธ์ด๊ตฌ ๊ฐค๋Ÿฌ๋ฆฌ

 

Tel  82 2 6203 2015 

Fax 82 2 6000 9442 

Email info@2gil29gallery.com

2GIL29 Bldg. 35, Gangnam-daero 158-gil, Gangnam-Gu, Seoul 06034 Korea

COPY RIGHT ยฉ 2015 - 2021 2GIL29 GALLERY

ALL RIGHTS RESERVED